tag:blogger.com,1999:blog-38810659084667054052024-03-05T12:06:37.446-08:00felicity truscott artAnonymoushttp://www.blogger.com/profile/17436208932074651988noreply@blogger.comBlogger96125tag:blogger.com,1999:blog-3881065908466705405.post-69596393357531464342016-09-28T14:10:00.005-07:002016-09-28T14:13:39.159-07:00moving on...<h2>
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<span style="font-size: large;"><span style="background-color: white; color: #333333; font-family: "arial" , "helvetica" , sans-serif; line-height: 18.2px; text-align: center;">.......more up to date blogs from 2015 - 2016 are to be </span></span></h2>
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<span style="font-size: large;"><span style="background-color: white; color: #333333; font-family: "arial" , "helvetica" , sans-serif; line-height: 18.2px; text-align: center;">found on </span></span></h2>
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<span style="font-size: large;"><a href="https://www.a-n.co.uk/blogs/review-15" style="background-color: white; color: #015782; font-family: Arial, Helvetica, sans-serif; line-height: 18.2px; text-align: center; text-decoration: none;">https://www.a-n.co.uk/blogs/review-15</a></span></h2>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">and info on <a href="http://www.felicitytruscott.com/">www.felicitytruscott.com</a></span></div>
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<span style="font-size: large;"><a href="https://www.a-n.co.uk/blogs/review-15" style="background-color: white; color: #015782; font-family: Arial, Helvetica, sans-serif; line-height: 18.2px; text-align: center; text-decoration: none;"><br /></a><span style="font-family: "arial" , "helvetica" , sans-serif;">thanks! </span></span></h2>
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<span style="font-size: large;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Tape line </span></span></div>
Anonymoushttp://www.blogger.com/profile/17436208932074651988noreply@blogger.com0tag:blogger.com,1999:blog-3881065908466705405.post-17397629828620433462015-11-11T06:00:00.001-08:002015-11-11T06:00:36.448-08:00getting in a spin about leaving a trace<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Arial, Helvetica, sans-serif;">Spin, Ashburnham, </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Spin is a site specific temporary drawing made out of mirror tiles. I wanted to play with the flashing flecks of light reflected from the water nearby and to create something that related to the rotational work I was making in the studio. Spin was subtle and became apparent if you were almost on top of it making it a very personal and intimate outdoor experience. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">I had been thinking of doing something like this for ages but suddenly the moment came and I had to do it, I find this happens a lot and as long as its possible to make the work its best to go with the moment as part of the ongoing process. If this process gets halted for any reason it can be confusing or stifling. Its best to get going and not think too far ahead. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Where I am working there was a conference due to be held around a creative theme onsite and so it became a natural response to leave Spin out for this and for me to leave an installation in the studio space where I work so that people could go and visit it and take part in it. So I left Trace, a selection of natural materials in piles with big outdoor brushes for visitors to sweep into circular forms an idea stemming from Ash with brush which I had made a year earlier. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Ash with Brush, 2014</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">I invited people to play with the materials and to use the moment to leave their own trace for the next person to develop. I went along during the weekend and was delighted to find a couple of people doing just this. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"> A visitor making work beyond Trace ie inspired to take it a step further by weaving paper on the wall...</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">When I leave work out like this I always get excited in the preparation but then am left with that awful sinking feeling that it might just be ridiculous, so when I came across real people interacting with Trace I felt a connection which gave me confidence to have faith in my instincts. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">I've accidentally put this into my blog here on blogger but more up to date blogs of mine are to be found on <a href="https://www.a-n.co.uk/blogs/review-15">https://www.a-n.co.uk/blogs/review-15</a></span></div>
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Anonymoushttp://www.blogger.com/profile/17436208932074651988noreply@blogger.com0tag:blogger.com,1999:blog-3881065908466705405.post-28564069844625947762015-05-20T12:12:00.000-07:002015-05-20T12:12:04.956-07:00Professional development Bursary Re:view 2015<div style="text-align: center;">
<span style="font-family: Arial, Helvetica, sans-serif;">In April this year The Artists Information Company awarded me a bursary to develop myself as an artist and my practise - you can read about the experience here throughout the next few months while I am also in residence on the Ashburnham Place estate, East Sussex and with Sotto Voce Arts </span><span style="font-family: Arial, Helvetica, sans-serif;">in July </span></div>
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<a href="http://sottovoceartists.tumblr.com/post/116335181738/residency-artists-chosen" style="font-family: Arial, Helvetica, sans-serif;">http://sottovoceartists.tumblr.com/post/116335181738/residency-artists-chosen</a></div>
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<a href="https://www.a-n.co.uk/blogs/review-15"><span style="font-family: Arial, Helvetica, sans-serif;">https://www.a-n.co.uk/blogs/review-15</span></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">thanks for taking the time to read it,</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Felicity </span></div>
Anonymoushttp://www.blogger.com/profile/17436208932074651988noreply@blogger.com0tag:blogger.com,1999:blog-3881065908466705405.post-91900414473536120112015-03-27T06:53:00.001-07:002015-03-27T06:53:14.437-07:00Water Line <span style="font-family: Arial, Helvetica, sans-serif;">In January this year I was invited to go for a walk. This was not just an ordinary walk - it was a section of a much bigger walk initiated by Clare Whistler and Charlotte Still as part of their residency at Herstmonceux Castle called <a href="https://underwateredge.wordpress.com/">underwater edge</a>.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">On the walk were several other fascinating creative people and we had all been invited to accompany Clare and Charlotte as they walked the ancient tide line of the sea across the Pevensey Levels. </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">For me it was the first day back of school term, the first time I had the opportunity to work after the Christmas holidays and the first time I had met all these interesting people. It triggered a whole body of work, extending ideas and parallels with the work I had been doing previously. I had been looking at landscape searching for line and curve within it and eroding layers to create complex surfaces using Charcoal and gesso on board. </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">The walk threw up so many ideas it was almost too difficult to keep track of them and after trying a few out I realised the effect of the walk was going to be more fundamental than just a new idea for a piece of work. </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">So I left them all in the sketch book and just carried on working... this allowed the work to evolve informed by this very tangible experience ...and this was just from one walk! </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Clare and Charlotte created Water Week 2 in order to embrace all the input and connections they had made during the residency and also to provide a space for any artists to contribute work which had been inspired or made influenced by the walks. (they did several with other artists). </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">I was delighted to be able to contribute 4 boards and to offer Water line, an action drawing, on the Saturday afternoon at the Castle. </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">It was amazing to see my work placed in the location of the Castle imbued with time, history and purpose. It made me even more aware of how important location and context is to art work. </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Water line is a departure from In line, a drawing made by skating through pigment, charcoal and ash. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">In line (detail)</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Water line uses the location and nothing more, the sun dries the water and drawings can be made repeatedly. My 3 children joined in with Water line and it kept them occupied for 2 hours, skating and scooting delighted with the marks and lines they were creating and building up together. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"> drawing moat water </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">seam 2 - pigment, gesso and charcoal on board </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">seam 1 - pigment, gesso and charcoal on board </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">deposit - pigment, gesso and charcoal on board </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">boundary- pigment, gesso and charcoal on board </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Boundary in the Castle </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Deposit in Gallery North, Hailsham </span></div>
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Anonymoushttp://www.blogger.com/profile/17436208932074651988noreply@blogger.com0tag:blogger.com,1999:blog-3881065908466705405.post-65406855907270554082015-03-27T05:30:00.000-07:002015-03-27T05:30:46.710-07:005 senses workshop Touch <span style="font-family: Arial, Helvetica, sans-serif;">Touch was both the first and the last of the 5 senses workshops with the Naked Eye drawing group and produced some really lovely work. (I ran a Touch workshop last year as a space filler for <a href="http://joannakori.com/">Jo Kori</a> with her Naked Eye drawing group who meet every fortnight at the <a href="http://www.beaconhastings.com/">The Beacon</a>, Hastings. </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">We handled various objects brought in and described them to each other to practice articulating the feel and sensation of what we were holding without looking at the objects. </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">This was later translated into marks, so for example surfaces described as furrows, edges, thin lines, rough patches, heaviness, holes and indentations were then created by mark with materials including plaster on board and charcoal. Another exercise was pure contour drawing and drawing from touching the profile of the face without looking.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">I've been really grateful for the opportunity to run these workshops in experimental mark making using the 5 senses as a point of departure. It's been a learning curve for me to test them out. My thanks go to the very committed Naked Eye drawing group for asking me in the first place and throwing themselves into them! </span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixhGDLFlxjlR6GEHGDRHsd91ZqFyJ8Cm69D2Wk6CifG6vg02SonfFrem6zwQD8e-_Enb3zA8604jDk02NZ2R2Z3qEEkQPAQyu4vPZrSODH9VOY3ljyncH2Ivjoqe4FfGVY7nUnNmLuNRyb/s1600/IMG_3902.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixhGDLFlxjlR6GEHGDRHsd91ZqFyJ8Cm69D2Wk6CifG6vg02SonfFrem6zwQD8e-_Enb3zA8604jDk02NZ2R2Z3qEEkQPAQyu4vPZrSODH9VOY3ljyncH2Ivjoqe4FfGVY7nUnNmLuNRyb/s1600/IMG_3902.JPG" height="320" width="240" /></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">touching circles </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Contour drawing </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCsU8VCy-eRHtU4xFOWp2Eu2jBWCh-ns2jET_oouhut1I9AcVlNUTjY4z13KLMj0WpBJjyunlapotpEQBVSoJCcu5EoTIeg2odNHbbb0GPaUtNV8Z-qqXWqTcq-pzjHzmifREf5AvsMAc2/s1600/FullSizeRender+(7).jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCsU8VCy-eRHtU4xFOWp2Eu2jBWCh-ns2jET_oouhut1I9AcVlNUTjY4z13KLMj0WpBJjyunlapotpEQBVSoJCcu5EoTIeg2odNHbbb0GPaUtNV8Z-qqXWqTcq-pzjHzmifREf5AvsMAc2/s1600/FullSizeRender+(7).jpg" height="320" width="226" /></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">working into plaster on board </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">tryptic of frotage ash and found material</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">lovely sketch book work </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">profile by touch and contour drawing</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3HZJqe6dZEJhsz2VfN7F5U4LNNBu7L4QwUx6Pb3pVF80Ddj4TwAYqmeWZln8DvoLiXn15xjt7y0bUfnxUjXx3bLzuflg3_cY14N4vWFOWsCUP5b7i-OAdwU_7sQcXLUzXk6RM7R-GpTY_/s1600/touch+3+senses.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3HZJqe6dZEJhsz2VfN7F5U4LNNBu7L4QwUx6Pb3pVF80Ddj4TwAYqmeWZln8DvoLiXn15xjt7y0bUfnxUjXx3bLzuflg3_cY14N4vWFOWsCUP5b7i-OAdwU_7sQcXLUzXk6RM7R-GpTY_/s1600/touch+3+senses.jpg" height="236" width="320" /></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">inverted profile and contour drawing </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Touching forms </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">detail of tryptic </span></div>
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<span id="goog_812961286"></span><span id="goog_812961287"></span><br />Anonymoushttp://www.blogger.com/profile/17436208932074651988noreply@blogger.com0tag:blogger.com,1999:blog-3881065908466705405.post-24488408535397801852015-03-22T02:18:00.002-07:002015-03-22T02:20:56.445-07:00How to write an artists statement <br />
<header class="page-header" style="border-bottom-color: rgb(238, 238, 238); border-bottom-style: solid; border-bottom-width: 1px; color: #333333; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin: 0px 30px 10px; padding-bottom: 10px; padding-top: 10px; word-wrap: break-word;"><h1 class="entry-title" style="clear: both; color: inherit; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 38.5px; line-height: 50px; margin: 10px 0px; text-rendering: optimizelegibility;">
Write an artists statement workshop</h1>
<div class="short-description" style="color: #636363;">
An intensive experience that breaks through blocks to help focus on what your practice is about and how to communicate it effectively.</div>
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<div class="entry-content clearfix" style="color: #686868; font-family: Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin: 0px 30px 10px; word-wrap: break-word;">
<div style="margin-bottom: 10px;">
Colin Pink is an experienced play write and poet. He also works as a coach and curates. Colin’s workshop ran for 3 hours and was an intensive experience looking at examples of statements good and bad. This helped us to think about what comes across in the subtext of our statements and in what context our statements are read and understood.</div>
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A detailed visualisation created a place from which to start writing along with some simple rules that improve form and style and we had to actually sit and write… After a bit of a panic I got down to it and incredibly made a huge cognitive shift in my own understanding of my practice. Up to now I had been drawing in the landscape in black and white and had always stated that upfront, here I realised that my work is becoming more about depth, this enabled me to imply what my work was about without stating the obvious. This has given me and my statement much better impact and clarity.</div>
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It is still a work in progress but I feel now I can say confidently</div>
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‘My work is about depth. Creating pieces inspired by landscape I build up surface repeatedly covering and exposing ideas.</div>
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Patches flood with black pigment and charcoal lines over gesso ground, defining boundaries both real and metaphorical.</div>
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I feel connection during the making process, this energy underpins the strength and powerful nature of vulnerability. ‘</div>
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The workshop is being repeated in October at Jerwood Gallery Hastings. I really recommend the investment.</div>
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<a class="fancybox" data-caption="deposit" data-fancybox-href="https://www.a-n.co.uk/wp-content/uploads/2015/03/sediment-crop.jpg" data-viewmore="https://www.a-n.co.uk/media/52406681/" href="https://www.a-n.co.uk/media/52406681/" rel="group" style="color: #0073ac; text-decoration: none;"><img alt="deposit" class="attachment-single-gallery" height="506" src="https://www.a-n.co.uk/wp-content/uploads/2015/03/sediment-crop-509x506.jpg" style="border: 0px; height: auto; max-width: 100%; vertical-align: middle;" width="509" /></a></div>
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Anonymoushttp://www.blogger.com/profile/17436208932074651988noreply@blogger.com0tag:blogger.com,1999:blog-3881065908466705405.post-76775330275042604852015-03-16T08:23:00.001-07:002015-03-16T08:23:27.420-07:00Water Line - Water week 2 Herstmonceux Castle <span style="font-family: Arial, Helvetica, sans-serif;"><a href="https://www.facebook.com/Waterweek2015">Waterweek2015</a> I contributed 4 boards, Boundary, Deposit, Seam 1 and 2 and an afternoon of experimental action drawing using moat water, accessible to anyone willing to jump on a scooter or a skateboard...</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiET2BlkPXHD8qv81fMb0p1ezD5uCD8eMgoi9stSF37TI-kUXm_uEEc-rNeQcHmtN2lOpHqVVBsmO56EvYVQ7w-LStBmoELhXhLovzz-vSliHzJ1N21MNOQRr2j7WncIptzNpsBKCfidNoV/s1600/IMG_3934%5B1%5D.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiET2BlkPXHD8qv81fMb0p1ezD5uCD8eMgoi9stSF37TI-kUXm_uEEc-rNeQcHmtN2lOpHqVVBsmO56EvYVQ7w-LStBmoELhXhLovzz-vSliHzJ1N21MNOQRr2j7WncIptzNpsBKCfidNoV/s1600/IMG_3934%5B1%5D.JPG" height="240" width="320" /></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">'Boundary' shown at Herstmonceux Castle </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwJ0hl5_TDQfc2YJOFpP7ZNH2ura7nTGvvif3duEbcdZZ5B4NcwpB6z4CMZJo8GG3tr_PtNj2eUxR1XcP2k409um9PkRfAWqYRYiDjwBeqQ_HKbVU1cRpJBbWK7NavwXbXvu_IP7XEaSgb/s1600/IMG_3874.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwJ0hl5_TDQfc2YJOFpP7ZNH2ura7nTGvvif3duEbcdZZ5B4NcwpB6z4CMZJo8GG3tr_PtNj2eUxR1XcP2k409um9PkRfAWqYRYiDjwBeqQ_HKbVU1cRpJBbWK7NavwXbXvu_IP7XEaSgb/s1600/IMG_3874.JPG" height="240" width="320" /></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Herstmonceux Castle</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvuKUYKWgBizhn5pc8SUOxsaHWV840L94PKDlrFcZ9xMdT5bfhMZmSFQpv3F3RBYN7O4Df1Qm1VLTeWXuA5m0JaEtTA2pBUupAYZEqZs4bSNFH4ui3P_Bs0oMb3qHn1whHfXbg9KMAtO17/s1600/IMG_3929.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: Arial, Helvetica, sans-serif;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvuKUYKWgBizhn5pc8SUOxsaHWV840L94PKDlrFcZ9xMdT5bfhMZmSFQpv3F3RBYN7O4Df1Qm1VLTeWXuA5m0JaEtTA2pBUupAYZEqZs4bSNFH4ui3P_Bs0oMb3qHn1whHfXbg9KMAtO17/s1600/IMG_3929.JPG" height="240" width="320" /></span></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">'Deposit' on the left at Gallery North Hailsham</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">'seam 1' shown in Herstmoncuex Castle</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGPG_5KMziY3IOdgiCcsmlJGc1pap9r4lNwQCaO8Z-uiZP4pAJ6UeeBBst58GFHjPfsRAv7uQ7mL89igIoBwqFpBsNCFD7PFJWlsVryiLhS_s0wMqAbmei6LhBKoUGbaXbxbDCaqbtieXn/s1600/sediment+crop.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGPG_5KMziY3IOdgiCcsmlJGc1pap9r4lNwQCaO8Z-uiZP4pAJ6UeeBBst58GFHjPfsRAv7uQ7mL89igIoBwqFpBsNCFD7PFJWlsVryiLhS_s0wMqAbmei6LhBKoUGbaXbxbDCaqbtieXn/s1600/sediment+crop.jpg" height="318" width="320" /></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">'Deposit' shown at Gallery North </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1hb_1nv_5gzrPoH6aJn1M3g4t5TsFgd4jWDI5b9Bb2cSPjKMyBH4CAzaiaG-13EPC9s2eg1muXdLNKE_s-YkLGtWJdszq_Vx3jLdRI-LIyz5Yz5uig6SbHw4HO9YRu5zwaoV1FPe2pCj_/s1600/seam+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1hb_1nv_5gzrPoH6aJn1M3g4t5TsFgd4jWDI5b9Bb2cSPjKMyBH4CAzaiaG-13EPC9s2eg1muXdLNKE_s-YkLGtWJdszq_Vx3jLdRI-LIyz5Yz5uig6SbHw4HO9YRu5zwaoV1FPe2pCj_/s1600/seam+2.jpg" height="318" width="320" /></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">'Seam 2' shown at Herstmonceux Castle</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDUQdkLwuOdgeKDBi49QVZBSSdZODJRTP2ms4vJ87HrJN0AwvWtBr47DAn0gMNXGXYBstP217E9_5fm0Rv5xWdBShyphenhyphenpaIRRBd6J4vF6WDlbhj1E-xnMxnUZ9hXphvKV6JLLQX7mnq0PlFM/s1600/IMG_3999.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDUQdkLwuOdgeKDBi49QVZBSSdZODJRTP2ms4vJ87HrJN0AwvWtBr47DAn0gMNXGXYBstP217E9_5fm0Rv5xWdBShyphenhyphenpaIRRBd6J4vF6WDlbhj1E-xnMxnUZ9hXphvKV6JLLQX7mnq0PlFM/s1600/IMG_3999.JPG" height="320" width="240" /></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">raising moat water for Water line drawing</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjz47AgVRDF9pvKWjSHzYVTCZf88q9EKWRunwMRoQQ1S4gPVoIY_CN4hXXi3QKdAr7Ut-iIsTLE6QZpNciqQ47CrdOZG_fuVuDtKJEmoE1FzU8fiFTo5cGgCm3tlFUvEJ7-GQeZoiJpyCbH/s1600/IMG_4031.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjz47AgVRDF9pvKWjSHzYVTCZf88q9EKWRunwMRoQQ1S4gPVoIY_CN4hXXi3QKdAr7Ut-iIsTLE6QZpNciqQ47CrdOZG_fuVuDtKJEmoE1FzU8fiFTo5cGgCm3tlFUvEJ7-GQeZoiJpyCbH/s1600/IMG_4031.JPG" height="240" width="320" /></a></div>
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<br />Anonymoushttp://www.blogger.com/profile/17436208932074651988noreply@blogger.com0tag:blogger.com,1999:blog-3881065908466705405.post-67625378405219007862015-02-27T14:52:00.000-08:002015-02-27T14:56:46.333-08:005 senses workshops SEE - the eyes are listening...<br />
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<img height="480" src="https://fbcdn-sphotos-f-a.akamaihd.net/hphotos-ak-xpf1/v/t1.0-9/10649863_856443831085224_5463377126722314262_n.jpg?oh=ab026e5104659b7261c42ceb02152bd3&oe=557E0B2D&__gda__=1434144327_9926b0085b50bcd9f46acf856afda16a" width="640" /></div>
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We use this sense probably the most and are rapidly becoming conditioned to see in particular ways through exposure to instant culture throughout the media. </div>
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On a more mundane level we all need to see to live a daily life and just noticing details or looking at our surroundings in a different way can be inspiring. </div>
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This week's workshop was about seeing through the eyes of an artist, how and what we see and how we translate that into marks. </div>
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I visited The eyes are listening at Hastings Museum recently and loved the large paintings of Tom Hammick.</div>
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In terms of creating artwork I am very interested in the right brain left brain function. After reading Betty Davis' book, Drawing on the right side of the brain, I am sure there are ways of strengthening our use of the right brain thus being able to harness its global skills and lack of critical awareness allowing creativity to grow. </div>
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So to get students started and to switch off the left brain function we drew an upside down drawing, This is an exercise to copy a drawing by Picasso of Igor Stravinsky. By doing this the brain reads the lines and marks as just that, it no longer recognises them as eyes, arms, a collar etc so the right brain is in control and this allows the student to make a drawing without preconceived knowledge and spacial judgement . The result is a better drawing. Still not necessarily perfectly (if there is ever such a thing) accurate but conveying a more real sense of the original subject. </div>
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<img height="640" src="https://scontent-ams.xx.fbcdn.net/hphotos-xfp1/v/t1.0-9/1623193_861550520574555_2598561241404044911_n.jpg?oh=ea3b7193b771b0a0706a2e30fecda2bc&oe=559670C6" width="514" /></div>
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<img height="640" src="https://scontent-ams.xx.fbcdn.net/hphotos-xfp1/v/t1.0-9/10953248_861550540574553_6228560330777034241_n.jpg?oh=fd0dcd14a1a4d063bc648256cdf6f6fd&oe=5580C129" width="482" /> </div>
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Time changing greatly affects what we see so students drew from view finders on the windows to record what they could see at different intervals during the workshop - overlaying the images made on tracing paper. </div>
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<img height="640" src="https://fbcdn-sphotos-b-a.akamaihd.net/hphotos-ak-xap1/v/t1.0-9/10397981_861550170574590_6400942891072503470_n.jpg?oh=f108801def471ce23efce9d29b6fa76a&oe=5594C4FD&__gda__=1434111009_fca34db0d409fe7d06565b41d764f149" width="480" /></div>
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<img height="640" src="https://fbcdn-sphotos-e-a.akamaihd.net/hphotos-ak-xpa1/v/t1.0-9/10383951_861550110574596_928836980401277279_n.jpg?oh=5f8753d94353e1c3c4a6f41f606ee0d4&oe=557A0E52&__gda__=1434159471_4984c5808cbeb45d4d14571109b5fadc" width="480" /></div>
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I had asked students to bring in white objects to draw so we could just focus on the forms without too much distraction while they made 3 specific drawings, 1st to make a drawing using usual observation, 2nd to make a drawing looking at the subjects and not the paper, trusting the eye and the hand to connect to create an image, 3rd to make a drawing entirely from memory of the subjects, by removing them. </div>
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<img height="400" src="https://fbcdn-sphotos-g-a.akamaihd.net/hphotos-ak-xpa1/v/t1.0-9/1622087_861550243907916_2683628145363428936_n.jpg?oh=dcff6f55039e3328a540848878ee5195&oe=55852BD2&__gda__=1434871535_8ff5488cd0611357fe9c3be8126d312b" width="300" /> <img height="400" src="https://scontent-ams.xx.fbcdn.net/hphotos-xap1/v/t1.0-9/553340_861550257241248_3318236317397243800_n.jpg?oh=ace5834f73f1cab57d54d17318a64651&oe=557ED1F8" width="300" /></div>
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<img height="300" src="https://fbcdn-sphotos-c-a.akamaihd.net/hphotos-ak-xpf1/v/t1.0-9/r270/10429424_861550290574578_8404041588147080228_n.jpg?oh=a687647f4544b14b998d8908891b8a79&oe=558760A0&__gda__=1435587884_d226463d2cf90876d627ade7264be5b1" width="400" /> </div>
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<img height="138" src="https://scontent-ams.xx.fbcdn.net/hphotos-xfp1/v/t1.0-9/11008804_861550453907895_6978973006120525789_n.jpg?oh=d7a3aff042176ae8db15db116b2694f5&oe=554C2311" width="200" /> <img height="126" src="https://scontent-ams.xx.fbcdn.net/hphotos-xaf1/v/t1.0-9/10407481_861550480574559_6170665020767917844_n.jpg?oh=f0aad2f1362d55654cc2b7ad966debee&oe=55868768" width="200" /> <img height="132" src="https://fbcdn-sphotos-c-a.akamaihd.net/hphotos-ak-xap1/v/t1.0-9/10388645_861550493907891_7282495266591073377_n.jpg?oh=d4160b5cb981ba58dc61b02945bc90d4&oe=55935381&__gda__=1435745629_75050f80463b6dcc27b517b4a136b5d1" width="200" /></div>
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I hope doing these drawings in this way highlighted how we store up image in our brain, and when we draw we can either use the images accumulated subconsciously by just living or we can re learn new lines, angles and marks by looking carefully and memorising by repetition these new images. Increasing our own artists resource of our mind. </div>
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Students then continued to draw the white still life using slit shaped view finders. </div>
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<img height="320" src="https://fbcdn-sphotos-e-a.akamaihd.net/hphotos-ak-xfp1/v/t1.0-9/10941830_861550397241234_7479001886815479017_n.jpg?oh=f232287766b6c97c61680e7c187d807a&oe=558A533B&__gda__=1434828978_4e79826a20e08ea361584e467cb4658f" width="240" /> <img height="400" src="https://fbcdn-sphotos-f-a.akamaihd.net/hphotos-ak-xfp1/v/t1.0-9/10994233_861550413907899_7057797102189314196_n.jpg?oh=6e553c821c8f0fae6b7d8cb5a2e104ad&oe=5584A0F4&__gda__=1434560637_88834d0c82d8ba419da0360177a11ae5" width="255" /></div>
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<img height="320" src="https://fbcdn-sphotos-f-a.akamaihd.net/hphotos-ak-xaf1/v/t1.0-9/10959498_861550237241250_3524014794964914217_n.jpg?oh=70afac863253d7dace214ed5c6e69c4a&oe=55829A19&__gda__=1435782312_c6522df9101b82e1f0cdc8beb8423537" width="240" /> <img height="320" src="https://scontent-ams.xx.fbcdn.net/hphotos-xpa1/v/t1.0-9/10940474_861550193907921_6654595083051459583_n.jpg?oh=52acd4ed9bebd81bcf7728d85140632c&oe=5581EF31" width="240" /> </div>
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Anonymoushttp://www.blogger.com/profile/17436208932074651988noreply@blogger.com0tag:blogger.com,1999:blog-3881065908466705405.post-3104900178335046472015-02-07T06:57:00.002-08:002015-02-07T07:00:40.810-08:005 senses workshop SMELL<span style="font-family: Arial, Helvetica, sans-serif;">Smell </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">This workshop was a fantastic feast of memories, associations and stories all tumbling out. Identifying moments in our childhood, rights of passage and first perfumes. A rich tapestry of stories of relationships, of when and when perfumes were bought and used ranging </span><span style="font-family: Arial, Helvetica, sans-serif;">from </span><span style="font-family: Arial, Helvetica, sans-serif;">Yves St Laurant, Poison, Chanel no 19 to Jo Malone and the smell of fresh cut grass. </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Miriam was practising losing herself in process and produced some lovely experimental work. </span><br />
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<img height="233" src="https://fbcdn-sphotos-h-a.akamaihd.net/hphotos-ak-xap1/v/t1.0-9/10959672_779144015466841_3451330585566177433_n.jpg?oh=515310e92ad71241a721e1a097d2d655&oe=556694BF&__gda__=1432468067_cdf8555934b8a0448664af1471d1de83" width="320" /><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">I tried to keep up with doing some work myself but with so much reminiscing and memories emerging instead we enjoyed a really open and varied discussion including Wolfgang Laib's pollen fields, Anish Kapoor's wax train in the Royal Academy, dead foxes and lemon scented cleaning fluids.... </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Anish Kapoor's Wax train and Wolfgang Laib's pollen from hazelnut. see the link below to watch his video. </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><a href="https://www.youtube.com/watch?v=e-_92MYcANk">https://www.youtube.com/watch?v=e-_92MYcANk</a> </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">What was really pleasing and motivating</span><span style="font-family: Arial, Helvetica, sans-serif;"> was the connections that students were making through articulating their memories and how this was inspiring confidence</span><span style="font-family: Arial, Helvetica, sans-serif;"> and the desire to apply these new thoughts and feelings to ongoing work. We all left the morning buzzing about setting new projects in place. I found myself really encouraging students to begin to set themselves their own chosen parameters to work within and to create a body of work following on from these experimental workshops. </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">soap</span>Anonymoushttp://www.blogger.com/profile/17436208932074651988noreply@blogger.com0tag:blogger.com,1999:blog-3881065908466705405.post-2876890044327174962015-01-25T12:33:00.004-08:002015-01-25T12:40:20.032-08:005 Senses art worskhop TASTE <div style="text-align: center;">
<span style="font-family: Arial, Helvetica, sans-serif;">This week we were looking at Taste and how it might influence or enhance approaching our art work and creative process. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Taste is of course very subjective and food has been used in art both in direct and indirect ways. We referred to Anthony Gormley and his bread sculptures, Claus Oldenburg for his pop art floor cake, burger and other food items and several artists who have looked to food as subject matter for still life - in this brief exploration of the sense of taste I was hoping to highlight some of the subtleties and associations of this sense. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">First we did a warm up in pairs identifying something small that our partner had changed in their appearance this encouraged students to take time to think and look ....this exercise is useful done several times over until you think you have run out of choices...it can help to break through blocks and push you beyond your usual thought pattern. We all notice things to a degree and then switch off relying on our memory or habit of simply sticking to what we know. To break out of this opens up new pathways which is especially helpful when trying to make art that remains interesting and challenging. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">After this we looked at a diagram of the tongue and its taste receptor areas of sweet, salty, sour and bitter including umami - a pleasant savory taste (from the Japanese) .</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFURBlbx64ujfDUxt8iHnq_atML_ZCOzT5mmuR-OLLIIMnvTB2RLIaZGsGl7hW-QxK9Y8zOLiZ9KBxfOq9EMtgAM_UXBkYVRdEzLfoHDH-APonmucf7EletMQ3piqsSs3gozFWAms_XRYc/s1600/IMG_3752.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFURBlbx64ujfDUxt8iHnq_atML_ZCOzT5mmuR-OLLIIMnvTB2RLIaZGsGl7hW-QxK9Y8zOLiZ9KBxfOq9EMtgAM_UXBkYVRdEzLfoHDH-APonmucf7EletMQ3piqsSs3gozFWAms_XRYc/s1600/IMG_3752.JPG" height="240" width="320" /></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">To get immediate experience and wake up our taste buds </span><span style="font-family: Arial, Helvetica, sans-serif;">we tasted some large caperberries, green chili peppers and slices of lemon. Then discussed each of our experiences which rapidly led to stories of associations and childhood memories of food. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Focussing the mind onto creating something visual and consolidating our previous discussion and experience we drew some aubergines - just straight aubergines whole or cut open. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Cheryl with felt/sewn aubergine</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Carol's lovely bold bagel with fish, aubergine arrangements and chocolate slab squares</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Sadly I missed photographing Miriam's wax resist and water colour aubergines. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">These senses workshops are intellectually demanding as they involve a lot of thinking and application - however there are ways of bringing us back to the subject if we are struggling (and we can do this in our own time too to bring us back to our work if we are getting stuck) An easy on for TASTE at</span><span style="font-family: Arial, Helvetica, sans-serif;"> coffee time it was cupcake blind tasting.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Identical mini cakes made in 6 flavours; rose, orange, lemon, peppermint, cola, and strawberry. This was harder than I anticipated for two reasons 1) some people were not sweet toothed and found the sweetness too overpowering and 2) it's difficult when there are no visual clues to search your memory for identification of a taste....we were literally closing our eyes and delving deep into our minds to recall the time when we had tasted something similar</span><span style="font-family: Arial, Helvetica, sans-serif;">. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"> Students created work around a food item they had brought in that held some significance for them. </span></div>
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Miriam's 'real' bagel with cream cheese and smoked salmon </div>
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David's bread relief </div>
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Cheryl's final autobiographical piece </div>
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Aubergine with Bagel and tinned Nappolina Tomatoes. </div>
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</span>Anonymoushttp://www.blogger.com/profile/17436208932074651988noreply@blogger.com0tag:blogger.com,1999:blog-3881065908466705405.post-21445638205790288702015-01-15T12:40:00.002-08:002015-01-15T12:40:37.193-08:005 senses workshop HEAR <div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9Rb_bJafjsVJwfYOSGADkD8M350Ep8uTdFnRW7Pg7Jko6xHyhAbhERrJPOIeOsERYMDdfdmAltfB3pZW-zCxhOPQhCVPgj621XTviaYKer6k7HVUQlbCsZuXlLICaetDHln0Huivjhzan/s1600/IMG_3715.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: Arial, Helvetica, sans-serif;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9Rb_bJafjsVJwfYOSGADkD8M350Ep8uTdFnRW7Pg7Jko6xHyhAbhERrJPOIeOsERYMDdfdmAltfB3pZW-zCxhOPQhCVPgj621XTviaYKer6k7HVUQlbCsZuXlLICaetDHln0Huivjhzan/s1600/IMG_3715.JPG" height="240" width="320" /></span></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Naked Eye drawing group experimenting in the HEAR 5 senses workshop inspired by the story book Ish by Peter Reynolds. </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">I had the pleasure of being able to facilitate a 'TOUCH' senses workshop with Naked Eye last year and they have been very kind to ask me back to complete the series. </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Being on email and mostly on Facebook has meant we could swap images and background thoughts before and after the workshop. </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Facilitating a group of very keen and talented students is a real privilege and I think I learned as much if not more from the process of doing it and from the students themselves than they did. All of them take a very different approach and are willing to try new things which is what keeps their interest alive and is in turn inspiring. I'm really looking forward to TASTE which is next week. </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">The idea behind the Ish concept is that we are looking at how we approach our creative process, what do we bring to it before we make a mark or decide what materials to use? Just as other artists, text or music might influence our ideas or mark making - our own physical state of awareness is something we can draw upon to be part of the whole. Sensing our way rather than over thinking. Just being ourselves and becoming aware of how we feel or respond to certain external or internal influences can reassure us in our conscious choices further down the line and give integrity and depth to our work and experience. </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Focusing on each sense gives us the chance to see where strengths and weaknesses lie and in some cases may help students break free of a rut but trying something new or seeing something from a new perspective. </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">In HEAR students were first asked to create a sound scape with their voices and secondly to make marks on paper to visualise a list of everyday sounds they had no warning and no time to think - they had to move around the table to a new paper every new sound so they didn't get too limited by their own previous marks. </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">They then tried making a system or code for the letter sounds of their name or a chosen phrase. In the second part of the workshop they listened to music they had brought in and visualised it using 3d lo fi materials as a relief - as this is not an exercise in making 'finished' or aesthetically pleasing pieces of work it can be a frustrating and very difficult thing to do as each student is battling with their need to fulfill a need to succeed or do it 'right'. Left brain against right brain. However Ish is about getting a sense of something, its not exact and there should be a strong sense of freedom to do or try anything in any material in order to explore possibility and progress ideas conscious or unconscious. </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">apologies for lack of photos here I have them saved as a Facebook album and am struggling to access them. For the full album go to <a href="https://www.facebook.com/felicity.truscott.9/media_set?set=a.755085321221076.1073741826.100001588467591&type=3">https://www.facebook.com/felicity.truscott.9/media_set?set=a.755085321221076.1073741826.100001588467591&type=3</a></span></div>
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<br />Anonymoushttp://www.blogger.com/profile/17436208932074651988noreply@blogger.com0tag:blogger.com,1999:blog-3881065908466705405.post-44788189912306158042014-10-10T02:07:00.000-07:002014-10-10T02:07:34.498-07:00Lookout Folkestone Trienniel 2014<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Arial, Helvetica, sans-serif;">These are the artworks that caught my eye at Folkestone, </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">I would have had some of the wind lift,, </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"> had I been brave enough to let go of the side. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTPVUpJcbi1CdnneKsvaJHhtZ3byeandD61XghH4zpsaLdEiG0T0Zw-xRH70CDsXv_nKirgjLLTiB4jXOBeJjFrsPbGB67XP2Qobg8s0d_AsILiX7H2VhApSrc2N6MPqUOMrw0Ud1IN4dw/s1600/IMG_3354.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTPVUpJcbi1CdnneKsvaJHhtZ3byeandD61XghH4zpsaLdEiG0T0Zw-xRH70CDsXv_nKirgjLLTiB4jXOBeJjFrsPbGB67XP2Qobg8s0d_AsILiX7H2VhApSrc2N6MPqUOMrw0Ud1IN4dw/s1600/IMG_3354.JPG" height="320" width="240" /></a> </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">I loved this interactive colour wheel to gauge the colour of the sea - its one of the permanent collection now from a previous Trienniel. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3o8p2rIPfFNxUb9907OpJANqYYyg03eyxG8UQEnU-eHu8PXP0OdG0fDwAJfAXLiO5It3FZhgULLrXUb7Wm4eCRR8tCYjD-fBs3OpXGRKj6DXzmn9n9i35yHfN40SuyRozhg6PH8nvSmGY/s1600/IMG_3359.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: Arial, Helvetica, sans-serif;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3o8p2rIPfFNxUb9907OpJANqYYyg03eyxG8UQEnU-eHu8PXP0OdG0fDwAJfAXLiO5It3FZhgULLrXUb7Wm4eCRR8tCYjD-fBs3OpXGRKj6DXzmn9n9i35yHfN40SuyRozhg6PH8nvSmGY/s1600/IMG_3359.JPG" height="320" width="240" /></span></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Yoko Ono, Earth Peace. Good to see a big flag and the light transmitting morse code was like a silver disc on a grey background the day I was there. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Will Kwan, Apparatus #9</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRQrsOs2ZN7AlSbnvWZPmv0kceGHyuR7vDF3qpamhiPSnDE3vtHioYS0cvz3vaEk-YegTpexYkMq7mARL9Nf0kuZ6LZwJd8cCj28LyeaAbK5-_MbfWC7Jiks-sNK1wl2j9RmbL506nMGMx/s1600/IMG_3380.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: Arial, Helvetica, sans-serif;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRQrsOs2ZN7AlSbnvWZPmv0kceGHyuR7vDF3qpamhiPSnDE3vtHioYS0cvz3vaEk-YegTpexYkMq7mARL9Nf0kuZ6LZwJd8cCj28LyeaAbK5-_MbfWC7Jiks-sNK1wl2j9RmbL506nMGMx/s1600/IMG_3380.JPG" height="240" width="320" /></span></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Andy Goldsworthy and his cracking clay installation Clay steps and Clay window. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">an Old Gasworks transformed by Jyll Bradley, Green/Light </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">There was so much more and it was great walking around the town seeing feeling and experiencing these artworks on location. No white cube fatigue just aching legs! </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Thanks to <a href="http://www.axisweb.org/">www.axisweb.org</a> there was a fascinating talk with the curator Lewis Biggs featuring the relationships with local communities and placing the art works within them. </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Dark and derelict places can be transformed by the desire to place public artworks in them. Just like the corners of our houses that get ignored and piled up with rubbish - if we curate them and clear them they become spaces to go to, they broaden our footprint and our attitudes. </span>Anonymoushttp://www.blogger.com/profile/17436208932074651988noreply@blogger.com1tag:blogger.com,1999:blog-3881065908466705405.post-49213069573177290612014-08-12T12:56:00.000-07:002014-08-12T12:56:11.200-07:00Drawing development at Blue Monkey Shared Space residency<div class="separator" style="clear: both; text-align: center;">
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Blue Monkey shared space residency at Eastbourne College, led me from ash and brush work via bare feet and a huge mess to in-line skate drawings <div class="separator" style="clear: both; text-align: center;">
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Anonymoushttp://www.blogger.com/profile/17436208932074651988noreply@blogger.com0tag:blogger.com,1999:blog-3881065908466705405.post-65254928807386937522014-07-09T03:47:00.001-07:002014-07-09T04:14:02.559-07:00Shared space residency with Blue Monkey networkI'm in this big big space made up of three spaces connected - there is light and silence. Energy and fear. Blue Monkey shared space residency is at Casson Art School studios, Eastbourne College for two weeks. There are 5 artists working alongside me Angela Smith, Juidth Alder, Sharon Haward, Pat Thornton and Claire Shoosmith.<div><br></div><div>It's day 3 and my emotions have ranged from arriving in total exhaustion on the first day to a frenzy of energy and excitement - taking risks and feeling at home producing large scale work. There is fear of course that helps keep it turning over. </div><div><br></div><div>I am going through ideas I have been playing out in my mind for a long time now which need a larger environment these include 3 series: contact drawings, ash lines and alteration drawings </div><div><br></div><div>I started with cutting up ash line trace drawings with Roni Horn in the back of my mind, I like her pigment drawings which she cuts up and pieces together meticulously. I am experimenting with the trace drawings to see if they will go any further. </div><div><br></div><div>The first intervention drawing </div><div><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZ3orEWnxKpU_5d57TKhWjo5BeZ3zdXfksN55uSjIrC-f95ucOfRVqSIYPXoBoCDZmlmkUCzW0wIaIpuadcy0jvg1r_ADHW1x0Gr4XuDNwDBPakNiWUP3IkoLHLHcImsYLjl6eZLy3xGgh/s640/blogger-image--1457892895.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZ3orEWnxKpU_5d57TKhWjo5BeZ3zdXfksN55uSjIrC-f95ucOfRVqSIYPXoBoCDZmlmkUCzW0wIaIpuadcy0jvg1r_ADHW1x0Gr4XuDNwDBPakNiWUP3IkoLHLHcImsYLjl6eZLy3xGgh/s640/blogger-image--1457892895.jpg"></a></div><div class="separator" style="clear: both;"><br></div><div class="separator" style="clear: both;">I placed paper around the studios and taped it down in order to get going, I made a black pigment brush drawing and then 'shot' the pigment off the edge the result was a lovely trace line of pigment which resonated with the intervention above</div><div class="separator" style="clear: both;"><br></div><div class="separator" style="clear: both;"><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgS9ne6vl5NbaDklC0xSpiZwTqT790fW-T3RtEGL8BNWRjQ_fWxyOB_4mZq3NJiDtRzOVvT82i-ADmhGYBmRAVB4XKqfMwOm7reeFKvdaMxxDAFxA2YGiMnXXCkwbUt6LCDRGUWV9Lk0i6A/s640/blogger-image-921794385.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgS9ne6vl5NbaDklC0xSpiZwTqT790fW-T3RtEGL8BNWRjQ_fWxyOB_4mZq3NJiDtRzOVvT82i-ADmhGYBmRAVB4XKqfMwOm7reeFKvdaMxxDAFxA2YGiMnXXCkwbUt6LCDRGUWV9Lk0i6A/s640/blogger-image-921794385.jpg"></a></div><div class="separator" style="clear: both;"><br></div><div class="separator" style="clear: both;"><br></div><div class="separator" style="clear: both;">The second day was pushing beyond and taking risks I took my socks off and stepped onto the big ash circle trying ballet steps around the paper getting pigment, ash and charcoal all over me and the floor the result was a huge liberating mess! After mopping up I re painted it with gesso.</div><div class="separator" style="clear: both;"><br></div><div class="separator" style="clear: both;"><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjA5V3jyh0MmZh1BH4Os-D5wqmGuIyfMkaq8kQWyKOPJVxLzjndcC81sAF7qFhiQA3rV8Wgf2SXHqUg_lhcQilRgyx9AT8JRYXVOt9n86Fhbkl_RtQJXyMJCuXVHl9ooNaaSFIDOMdKNIqA/s640/blogger-image-1271107946.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjA5V3jyh0MmZh1BH4Os-D5wqmGuIyfMkaq8kQWyKOPJVxLzjndcC81sAF7qFhiQA3rV8Wgf2SXHqUg_lhcQilRgyx9AT8JRYXVOt9n86Fhbkl_RtQJXyMJCuXVHl9ooNaaSFIDOMdKNIqA/s640/blogger-image-1271107946.jpg"></a></div><div class="separator" style="clear: both;"><br></div><div class="separator" style="clear: both;">...and then I put on the rollerblades. Wanting to make contact drawings where the body and weight make marks that are ambitious roller blading across the paper through and over ash was the idea. </div><div class="separator" style="clear: both;"><br></div><div class="separator" style="clear: both;">Once I had gained a bit of steadiness by rolling around the studio several times much to the amusement of my fellow artists I started an inline drawing rolling back and forth whilst videoing it holding my phone. It was lots of fun and just what experimental art should be. </div><div class="separator" style="clear: both;"><br></div><div class="separator" style="clear: both;"><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQj1aO7ZZMNS16XwcaMgGxHSwOuRTxXsYBiEKzV5hPZkOaOBB1jB6aMVdzQ7aDPANsWoqXNaxj17PI7AZIQOn1khQq5hwviLYps0p1cpenxWCJhztzeM6rHzM14roxhXDlnPSDswvKftbk/s640/blogger-image--31462940.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQj1aO7ZZMNS16XwcaMgGxHSwOuRTxXsYBiEKzV5hPZkOaOBB1jB6aMVdzQ7aDPANsWoqXNaxj17PI7AZIQOn1khQq5hwviLYps0p1cpenxWCJhztzeM6rHzM14roxhXDlnPSDswvKftbk/s640/blogger-image--31462940.jpg"></a></div><div class="separator" style="clear: both;"><br></div><div class="separator" style="clear: both;"><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJX4KhX9lDhLrrmbl8rL_DOofPn96MQ1NncyNzh8LKOupZsIUogB_uL-SeBZW9TTrKooHAx6D7KewMevy8Mjnee7e8EQwfgXUlv7UxgnGeBJr6mQ29_l1ZCioPDsg24E9o3SzJ5QEsI5lV/s640/blogger-image--2022326722.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJX4KhX9lDhLrrmbl8rL_DOofPn96MQ1NncyNzh8LKOupZsIUogB_uL-SeBZW9TTrKooHAx6D7KewMevy8Mjnee7e8EQwfgXUlv7UxgnGeBJr6mQ29_l1ZCioPDsg24E9o3SzJ5QEsI5lV/s640/blogger-image--2022326722.jpg"></a></div><div class="separator" style="clear: both;"><br></div><div class="separator" style="clear: both;"><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWujKu7W0JlvrAMNdfU4GMBo_K4rRPx9ftJJjH0ULPE61-HKk4jtaq8IUUG8GL6-I_VNEFgvcuqRNIJcOzwhvH4HVNhGnnv7Puu8b3hu-sjf03zUglSPrmooaz5zuzexiWrc4fG25T39FW/s640/blogger-image-107222956.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWujKu7W0JlvrAMNdfU4GMBo_K4rRPx9ftJJjH0ULPE61-HKk4jtaq8IUUG8GL6-I_VNEFgvcuqRNIJcOzwhvH4HVNhGnnv7Puu8b3hu-sjf03zUglSPrmooaz5zuzexiWrc4fG25T39FW/s640/blogger-image-107222956.jpg"></a></div><div class="separator" style="clear: both;">These works are very much a continuation of my interest in the landscape and its inherent materials. Working in Eastbourne very close to the South Downs has a strong relationship with these materials. </div><div class="separator" style="clear: both;"><br></div><div class="separator" style="clear: both;"><br></div><br></div><br></div><br></div><br></div><div class="separator" style="clear: both;"><br></div><br></div><br></div><div><br></div>Anonymoushttp://www.blogger.com/profile/17436208932074651988noreply@blogger.com0tag:blogger.com,1999:blog-3881065908466705405.post-49302824429997474622014-06-22T13:10:00.001-07:002014-06-22T13:10:35.535-07:00Edible artWorkshops based on the five sense to develop perceptual drawing ....coming to the Jerwood Gallery Hastings August 12-16 one course for adults and one for children devised by me! <br><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-AoSkaN7CPvZINpXScC8_MzanEVF5UmY4ebvlUZ3vtc7fuinJBIH-UdkVNutmumRt7ZVnt9H7WrlMNxB-GXDY-wJ-_8wNylntECFIv8JGOEGylXfmxqkpFsh_x-Bio8kamcY9N5QCW06X/s640/blogger-image-1035234455.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-AoSkaN7CPvZINpXScC8_MzanEVF5UmY4ebvlUZ3vtc7fuinJBIH-UdkVNutmumRt7ZVnt9H7WrlMNxB-GXDY-wJ-_8wNylntECFIv8JGOEGylXfmxqkpFsh_x-Bio8kamcY9N5QCW06X/s640/blogger-image-1035234455.jpg"></a></div><br><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4_SeJUPtQa6kyyayyd38ntyMlWnrptHScMPDiPpW9CLOB-GX55PrGUPO-arWQbFY_UNlrPzMjaqRHJrWrn6wC8Bu72KLO-fMbkpHCvz29gUI4p2p6smTQFttOqK7qvPrOy5__veoMjH1q/s640/blogger-image--748832438.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4_SeJUPtQa6kyyayyd38ntyMlWnrptHScMPDiPpW9CLOB-GX55PrGUPO-arWQbFY_UNlrPzMjaqRHJrWrn6wC8Bu72KLO-fMbkpHCvz29gUI4p2p6smTQFttOqK7qvPrOy5__veoMjH1q/s640/blogger-image--748832438.jpg"></a></div><br><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgL0iAhCjVgWghI58pNAt9o_fbTBV52P-VBDPZLF49RmooQAGUB8-1uzIMgyszKbHJn9JNpsXIEChUe0BLhRg1vGoZoGm-OP_qj4HtlSiUXabGfFPm9tD7JyFba3VUsPvOouBF3T0ae1X3u/s640/blogger-image-416726624.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgL0iAhCjVgWghI58pNAt9o_fbTBV52P-VBDPZLF49RmooQAGUB8-1uzIMgyszKbHJn9JNpsXIEChUe0BLhRg1vGoZoGm-OP_qj4HtlSiUXabGfFPm9tD7JyFba3VUsPvOouBF3T0ae1X3u/s640/blogger-image-416726624.jpg"></a></div>Anonymoushttp://www.blogger.com/profile/17436208932074651988noreply@blogger.com0tag:blogger.com,1999:blog-3881065908466705405.post-78146427428985779052014-06-14T15:46:00.003-07:002014-06-14T15:46:41.200-07:00Ash line and trace drawing <div class="separator" style="clear: both; text-align: center;">
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<br /><a href="https://vimeo.com/98232345">https://vimeo.com/98232345</a></div>
<br />Anonymoushttp://www.blogger.com/profile/17436208932074651988noreply@blogger.com0tag:blogger.com,1999:blog-3881065908466705405.post-76688724157483487492014-06-11T12:19:00.001-07:002014-06-11T12:19:42.214-07:00Ash chalk slate<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3n-OUu_Iky6Argf5Sn0YXgyQWT5_TH80u8WTvo1iwSXSyhK9QoRy0GW6r8pRKGBMggBxsupU3v5ZS4RKAcFnVRHkVtrsUznxt1bd-Le9aOwZWdInXx79m6GpwGEEQfEDQhM4QVDbi-dhk/s640/blogger-image--1778813458.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"></a><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3n-OUu_Iky6Argf5Sn0YXgyQWT5_TH80u8WTvo1iwSXSyhK9QoRy0GW6r8pRKGBMggBxsupU3v5ZS4RKAcFnVRHkVtrsUznxt1bd-Le9aOwZWdInXx79m6GpwGEEQfEDQhM4QVDbi-dhk/s640/blogger-image--1778813458.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpWiEXC-JE05VsLYOF6XcDTtDkm2fKaOK911pHrrGOftgAZqOkx4HjXvWu7l1ZH2Fy5BM0yjoyuDCcxgTXuyuXFQ2HiOqulnsWoX8uL1gU6XETTK0Gisf_k39uILfe5TNE733kkaYSfwne/s640/blogger-image-1458794627.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"></a><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpWiEXC-JE05VsLYOF6XcDTtDkm2fKaOK911pHrrGOftgAZqOkx4HjXvWu7l1ZH2Fy5BM0yjoyuDCcxgTXuyuXFQ2HiOqulnsWoX8uL1gU6XETTK0Gisf_k39uILfe5TNE733kkaYSfwne/s640/blogger-image-1458794627.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZNgGVfCiavKvU0xU6a2Bqo7KPMkqzSB7BwgWAiB9D4YkWULD5RH5FuXcaNMyPV38CTWjlPbaZCAPs8LzO2CWGYw8HumFkVzrUYNXOb0UMj7QHZkg4Zu8Z65OMK3ZdufbTBz-7O4Ah4CV5/s640/blogger-image-741130370.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZNgGVfCiavKvU0xU6a2Bqo7KPMkqzSB7BwgWAiB9D4YkWULD5RH5FuXcaNMyPV38CTWjlPbaZCAPs8LzO2CWGYw8HumFkVzrUYNXOb0UMj7QHZkg4Zu8Z65OMK3ZdufbTBz-7O4Ah4CV5/s640/blogger-image-741130370.jpg"></a></div><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpWiEXC-JE05VsLYOF6XcDTtDkm2fKaOK911pHrrGOftgAZqOkx4HjXvWu7l1ZH2Fy5BM0yjoyuDCcxgTXuyuXFQ2HiOqulnsWoX8uL1gU6XETTK0Gisf_k39uILfe5TNE733kkaYSfwne/s640/blogger-image-1458794627.jpg"></div><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3n-OUu_Iky6Argf5Sn0YXgyQWT5_TH80u8WTvo1iwSXSyhK9QoRy0GW6r8pRKGBMggBxsupU3v5ZS4RKAcFnVRHkVtrsUznxt1bd-Le9aOwZWdInXx79m6GpwGEEQfEDQhM4QVDbi-dhk/s640/blogger-image--1778813458.jpg"></div>Anonymoushttp://www.blogger.com/profile/17436208932074651988noreply@blogger.com0tag:blogger.com,1999:blog-3881065908466705405.post-47534027764036676582014-06-06T05:04:00.001-07:002014-06-06T05:04:27.129-07:00Concentric circles<br><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7jbuoKA1VNUJQE5gaIpPL5pBLfJUB5MYJLjI_S3F2TX8vB1EWlQDzZb6sM_emOtre4rFpMirAd2pfgsWLC8v0FwNEK08to4yL-zcuDqIKwfjSklx1EWEK4qFT2Vts4-3idcPKI0Jvi09U/s640/blogger-image-1765196852.jpg" imageanchor="1" style="margin-left: 1em; 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margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiS0KjX8XGmQ3FfV3SpT-w1uO5l9f5wtFCQVhqMDYb1bMkj2jkrLyLa37rcyIjxYtExBJhCpJqTHZ-tXngaueT8ygQhGeCbLiFGPMWznEi0COiOPpGY0DSL2OGEfmxEER8kwABcYkS5JcZC/s640/blogger-image-932079127.jpg"></a></div><div class="separator" style="clear: both;"><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgc-h1E0g37HEDfssAOc-H6Ossrljz8nZGei4v4rlV_yaIo43Zb22sV5_h81aMMC7bZcQla_Hdd-WLDRQNswbycifcdALDe5hyphenhyphenFvM-evAly-gWTR24fg_gWa7eIfc2xxsc17ezFf0Npt2W0/s640/blogger-image--1683495443.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgc-h1E0g37HEDfssAOc-H6Ossrljz8nZGei4v4rlV_yaIo43Zb22sV5_h81aMMC7bZcQla_Hdd-WLDRQNswbycifcdALDe5hyphenhyphenFvM-evAly-gWTR24fg_gWa7eIfc2xxsc17ezFf0Npt2W0/s640/blogger-image--1683495443.jpg"></a></div><br></div><br></div><br></div><br></div><br></div><div class="separator" style="clear: both;"><br></div>Anonymoushttp://www.blogger.com/profile/17436208932074651988noreply@blogger.com1tag:blogger.com,1999:blog-3881065908466705405.post-73472323215009624782014-04-20T07:55:00.001-07:002014-04-20T07:55:57.612-07:00Gravity's edge<div style="font-family: Helvetica; font-size: 18px; line-height: 24px; -webkit-tap-highlight-color: rgba(26, 26, 26, 0.296875); -webkit-composition-fill-color: rgba(130, 98, 83, 0.0976563); -webkit-composition-frame-color: rgba(191, 107, 82, 0.496094); ">I went to see this exhibition at the Hirshhorn in Washington DC</div><div style="font-family: Helvetica; font-size: 18px; line-height: 24px; -webkit-tap-highlight-color: rgba(26, 26, 26, 0.296875); -webkit-composition-fill-color: rgba(130, 98, 83, 0.0976563); -webkit-composition-frame-color: rgba(191, 107, 82, 0.496094); "><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKsAKs8BmExW3dhKFi_VKdheVZ7GKLMh_Rp_UBeZBFMjc4Cb2Pj49RpB2ucAQaqBMAvo5KzSFMUUgQD8093Wdt22kHQys0JUVJYkFic0047vRFcZnkzOFB8Xb32eJY5E4UYR8MQ_d-k2KV/s640/blogger-image-1873729696.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKsAKs8BmExW3dhKFi_VKdheVZ7GKLMh_Rp_UBeZBFMjc4Cb2Pj49RpB2ucAQaqBMAvo5KzSFMUUgQD8093Wdt22kHQys0JUVJYkFic0047vRFcZnkzOFB8Xb32eJY5E4UYR8MQ_d-k2KV/s640/blogger-image-1873729696.jpg"></a></div><br></div><div style="font-family: Helvetica; font-size: 18px; line-height: 24px; -webkit-tap-highlight-color: rgba(26, 26, 26, 0.296875); -webkit-composition-fill-color: rgba(130, 98, 83, 0.0976563); -webkit-composition-frame-color: rgba(191, 107, 82, 0.496094); "> <span style="font-size: 15px; line-height: 19px; white-space: nowrap; -webkit-composition-fill-color: rgba(175, 192, 227, 0.230469); -webkit-composition-frame-color: rgba(77, 128, 180, 0.230469); ">http://www.hirshhorn.si.edu/collection/gravitys-edge/#collection=gravitys-edge </span>- it made me think about the nature of relationship in art, since running a drawing workshop and of course being part of many myself, I have been struck by just how important relationship is both in the context of subject to subject / artist or in a group of people mark making together. </div><div style="font-family: Helvetica; font-size: 18px; line-height: 24px; -webkit-tap-highlight-color: rgba(26, 26, 26, 0.296875); -webkit-composition-fill-color: rgba(130, 98, 83, 0.0976563); -webkit-composition-frame-color: rgba(191, 107, 82, 0.496094); "><br></div><div style="font-family: Helvetica; font-size: 18px; line-height: 24px; -webkit-tap-highlight-color: rgba(26, 26, 26, 0.296875); -webkit-composition-fill-color: rgba(130, 98, 83, 0.0976563); -webkit-composition-frame-color: rgba(191, 107, 82, 0.496094); ">How can u capture a semi uncontrollable process like Lynda Bengalis pouring pigmented latex shown here on the floor ... </div><div><div class="separator" style="font-family: Helvetica; font-size: 18px; line-height: 24px; -webkit-tap-highlight-color: rgba(26, 26, 26, 0.292969); -webkit-composition-fill-color: rgba(130, 98, 83, 0.0976563); -webkit-composition-frame-color: rgba(191, 107, 82, 0.496094); clear: both; "><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSzztf6GeswNjZxUjDdjvxpt8DlCTsM3C2f11yGcCw_ww64UCzIFENpXQC-ES34Kw6q34sKTGD8G70GmVnYBzpRIkNTfvAMLzXDVnUBbteuGqBUvsKpdm4WeYmjW0MnvUt4yxmEgiu9kdK/s640/blogger-image--1533905466.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSzztf6GeswNjZxUjDdjvxpt8DlCTsM3C2f11yGcCw_ww64UCzIFENpXQC-ES34Kw6q34sKTGD8G70GmVnYBzpRIkNTfvAMLzXDVnUBbteuGqBUvsKpdm4WeYmjW0MnvUt4yxmEgiu9kdK/s640/blogger-image--1533905466.jpg"></a></div><span style="-webkit-text-size-adjust: auto; background-color: rgba(255, 255, 255, 0);">And Sam Francis 'untitled 1967' edge painting on the wall </span></div><div style="font-family: Helvetica; font-size: 18px; line-height: 24px; -webkit-tap-highlight-color: rgba(26, 26, 26, 0.296875); -webkit-composition-fill-color: rgba(130, 98, 83, 0.0976563); -webkit-composition-frame-color: rgba(191, 107, 82, 0.496094); "><br></div><div style="font-family: Helvetica; font-size: 18px; line-height: 24px; -webkit-tap-highlight-color: rgba(26, 26, 26, 0.296875); -webkit-composition-fill-color: rgba(130, 98, 83, 0.0976563); -webkit-composition-frame-color: rgba(191, 107, 82, 0.496094); ">Where does a painting stop and the wall/floor begin?</div><div style="font-family: Helvetica; font-size: 18px; line-height: 24px; -webkit-tap-highlight-color: rgba(26, 26, 26, 0.296875); -webkit-composition-fill-color: rgba(130, 98, 83, 0.0976563); -webkit-composition-frame-color: rgba(191, 107, 82, 0.496094); "><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGQONNgpWs4RvigKiqDc8W9-cNaz1TSTl-VWt26FMEBbzIMEfPzRHwyq3Ku5zz2Ca52lKYiKyTZkhS0F5-9aSPlmcmxg4lnKbr0QMFyTg1bsimtZjtuhv3j1Ba_-J4vrEqBu43KNFBcKl0/s640/blogger-image--2072158264.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGQONNgpWs4RvigKiqDc8W9-cNaz1TSTl-VWt26FMEBbzIMEfPzRHwyq3Ku5zz2Ca52lKYiKyTZkhS0F5-9aSPlmcmxg4lnKbr0QMFyTg1bsimtZjtuhv3j1Ba_-J4vrEqBu43KNFBcKl0/s640/blogger-image--2072158264.jpg"></a></div><br></div><div style="font-family: Helvetica; font-size: 18px; line-height: 24px; -webkit-tap-highlight-color: rgba(26, 26, 26, 0.296875); -webkit-composition-fill-color: rgba(130, 98, 83, 0.0976563); -webkit-composition-frame-color: rgba(191, 107, 82, 0.496094); "><br></div><div style="font-family: Helvetica; font-size: 18px; line-height: 24px; -webkit-tap-highlight-color: rgba(26, 26, 26, 0.296875); -webkit-composition-fill-color: rgba(130, 98, 83, 0.0976563); -webkit-composition-frame-color: rgba(191, 107, 82, 0.496094); ">Relationships raise questions and fuse connections. </div><div style="font-family: Helvetica; font-size: 18px; line-height: 24px; -webkit-tap-highlight-color: rgba(26, 26, 26, 0.296875); -webkit-composition-fill-color: rgba(130, 98, 83, 0.0976563); -webkit-composition-frame-color: rgba(191, 107, 82, 0.496094); "><br></div><div style="font-family: Helvetica; font-size: 18px; line-height: 24px; -webkit-tap-highlight-color: rgba(26, 26, 26, 0.296875); -webkit-composition-fill-color: rgba(130, 98, 83, 0.0976563); -webkit-composition-frame-color: rgba(191, 107, 82, 0.496094); ">Morris Louis 'delta theta' He was interested in the rawness of the blank space - this as opposed to the rawness of a wall which is outside of the painting edge...they have different blank qualities in this case because of the framed edge and the tension of space created by the paint. </div><div style="font-family: Helvetica; font-size: 18px; line-height: 24px; -webkit-tap-highlight-color: rgba(26, 26, 26, 0.296875); -webkit-composition-fill-color: rgba(130, 98, 83, 0.0976563); -webkit-composition-frame-color: rgba(191, 107, 82, 0.496094); "><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmr7tHuMgKlBQ5vq8CqaO0M12_btXmcrDy7KsnLvGYggOZiiafHmPuCqWiby3egVy8skp9_uZXb91K2xwPCW7MC55E07HkxQq7NQZHNofQtOcF4oIkwnn3QPMQ072vWNYHwEH3Gvnyi1Ah/s640/blogger-image--1318790098.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmr7tHuMgKlBQ5vq8CqaO0M12_btXmcrDy7KsnLvGYggOZiiafHmPuCqWiby3egVy8skp9_uZXb91K2xwPCW7MC55E07HkxQq7NQZHNofQtOcF4oIkwnn3QPMQ072vWNYHwEH3Gvnyi1Ah/s640/blogger-image--1318790098.jpg"></a></div><br></div><div style="font-family: Helvetica; font-size: 18px; line-height: 24px; -webkit-tap-highlight-color: rgba(26, 26, 26, 0.296875); -webkit-composition-fill-color: rgba(130, 98, 83, 0.0976563); -webkit-composition-frame-color: rgba(191, 107, 82, 0.496094); "><br></div><div style="font-family: Helvetica; font-size: 18px; line-height: 24px; -webkit-tap-highlight-color: rgba(26, 26, 26, 0.296875); -webkit-composition-fill-color: rgba(130, 98, 83, 0.0976563); -webkit-composition-frame-color: rgba(191, 107, 82, 0.496094); ">Helen frankenthaler 'Indian summer ' </div><div style="font-family: Helvetica; font-size: 18px; line-height: 24px; -webkit-tap-highlight-color: rgba(26, 26, 26, 0.296875); -webkit-composition-fill-color: rgba(130, 98, 83, 0.0976563); -webkit-composition-frame-color: rgba(191, 107, 82, 0.496094); "><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidEcQVsKGdF1wDdaJvglTpgaORshDnVXYA7PsZ2mmj8bNkS8L6elQweb0C8HLWkGkYceEwMhpDhNkwqCEFgA2w8_sLquk4JwCShJlYJbhBeHbe4_EPYBI5e_eoNssVDeeouZmPJyPpnstm/s640/blogger-image--1810144958.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidEcQVsKGdF1wDdaJvglTpgaORshDnVXYA7PsZ2mmj8bNkS8L6elQweb0C8HLWkGkYceEwMhpDhNkwqCEFgA2w8_sLquk4JwCShJlYJbhBeHbe4_EPYBI5e_eoNssVDeeouZmPJyPpnstm/s640/blogger-image--1810144958.jpg"></a></div><br></div><div style="font-family: Helvetica; font-size: 18px; line-height: 24px; -webkit-tap-highlight-color: rgba(26, 26, 26, 0.296875); -webkit-composition-fill-color: rgba(130, 98, 83, 0.0976563); -webkit-composition-frame-color: rgba(191, 107, 82, 0.496094); "><br></div><div style="font-family: Helvetica; font-size: 18px; line-height: 24px; -webkit-tap-highlight-color: rgba(26, 26, 26, 0.296875); -webkit-composition-fill-color: rgba(130, 98, 83, 0.0976563); -webkit-composition-frame-color: rgba(191, 107, 82, 0.496094); ">Paul Jenkins 'blue balls ' 'phenomena series'</div><div style="font-family: Helvetica; font-size: 18px; line-height: 24px; -webkit-tap-highlight-color: rgba(26, 26, 26, 0.296875); -webkit-composition-fill-color: rgba(130, 98, 83, 0.0976563); -webkit-composition-frame-color: rgba(191, 107, 82, 0.496094); "><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxw463yEvgFd9UKuUP322TGmK3vVCEym5R36Meisi9iAslzh3gweVPFw6WaeoE6TRhnVmVBJ-9QCfc1wBviFSjfWtW4XvVzAhwVlkN-7dmldaPg_5-hfOLWrG5XCTp9_j6_8Ahb5mieYGt/s640/blogger-image--1023742292.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxw463yEvgFd9UKuUP322TGmK3vVCEym5R36Meisi9iAslzh3gweVPFw6WaeoE6TRhnVmVBJ-9QCfc1wBviFSjfWtW4XvVzAhwVlkN-7dmldaPg_5-hfOLWrG5XCTp9_j6_8Ahb5mieYGt/s640/blogger-image--1023742292.jpg"></a></div><br></div><div style="font-family: Helvetica; font-size: 18px; line-height: 24px; -webkit-tap-highlight-color: rgba(26, 26, 26, 0.296875); -webkit-composition-fill-color: rgba(130, 98, 83, 0.0976563); -webkit-composition-frame-color: rgba(191, 107, 82, 0.496094); "><br></div><div style="font-family: Helvetica; font-size: 18px; line-height: 24px; -webkit-tap-highlight-color: rgba(26, 26, 26, 0.296875); -webkit-composition-fill-color: rgba(130, 98, 83, 0.0976563); -webkit-composition-frame-color: rgba(191, 107, 82, 0.496094); ">More workshop ideas - having visited a lot of space rockets in the US and almost witnessed a rocket launch (cancelled 45 mins before take off due to a helium leak) ....gravity and directional marking is evolving as a new theme.</div><div style="font-family: Helvetica; font-size: 18px; line-height: 24px; -webkit-tap-highlight-color: rgba(26, 26, 26, 0.296875); -webkit-composition-fill-color: rgba(130, 98, 83, 0.0976563); -webkit-composition-frame-color: rgba(191, 107, 82, 0.496094); "><br></div><div style="font-family: Helvetica; font-size: 18px; line-height: 24px; -webkit-tap-highlight-color: rgba(26, 26, 26, 0.296875); -webkit-composition-fill-color: rgba(130, 98, 83, 0.0976563); -webkit-composition-frame-color: rgba(191, 107, 82, 0.496094); ">Using liquids and surfaces, movement and gravity, create and semi control marks whilst considering relationships and edges. </div><div style="font-family: Helvetica; font-size: 18px; line-height: 24px; -webkit-tap-highlight-color: rgba(26, 26, 26, 0.296875); -webkit-composition-fill-color: rgba(130, 98, 83, 0.0976563); -webkit-composition-frame-color: rgba(191, 107, 82, 0.496094); "><br></div><div style="font-family: Helvetica; font-size: 18px; line-height: 24px; -webkit-tap-highlight-color: rgba(26, 26, 26, 0.296875); -webkit-composition-fill-color: rgba(130, 98, 83, 0.0976563); -webkit-composition-frame-color: rgba(191, 107, 82, 0.496094); "><br></div><div style="font-family: Helvetica; font-size: 18px; line-height: 24px; -webkit-tap-highlight-color: rgba(26, 26, 26, 0.296875); -webkit-composition-fill-color: rgba(130, 98, 83, 0.0976563); -webkit-composition-frame-color: rgba(191, 107, 82, 0.496094); "><br></div><div style="font-family: Helvetica; font-size: 18px; line-height: 24px; -webkit-tap-highlight-color: rgba(26, 26, 26, 0.296875); -webkit-composition-fill-color: rgba(130, 98, 83, 0.0976563); -webkit-composition-frame-color: rgba(191, 107, 82, 0.496094); "><br></div>Anonymoushttp://www.blogger.com/profile/17436208932074651988noreply@blogger.com0tag:blogger.com,1999:blog-3881065908466705405.post-85308924285850876382014-03-09T14:22:00.001-07:002014-03-09T14:22:48.196-07:00reaching into wide open spaces<div class="separator" style="clear: both; text-align: center;">
<a href="http://3.bp.blogspot.com/-JpHlG60u26w/TcBdsiaKCHI/AAAAAAAAACQ/DH43aSPIANs/s1600/Collage4.JPEG.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: Arial, Helvetica, sans-serif;"><img border="0" src="http://3.bp.blogspot.com/-JpHlG60u26w/TcBdsiaKCHI/AAAAAAAAACQ/DH43aSPIANs/s1600/Collage4.JPEG.JPG" height="240" width="320" /></span></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">I did this piece 6 years ago one of a series of about 20 collages. It has remained with me as a link to something else all this time but I've not had an idea of what really it could become, many thoughts have come and gone, many crazy ideas of huge canvases filling a beautiful gallery space. </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">I now know through experience and practise that if I keep on drawing then something will come, as long as I am prepared to follow hunches and jump into opportunities that come up whether they are just choosing different materials to use or visiting a particular show or reading a book I hear about on the radio - all this contributes to a slow emergence of what is really a continuation of an idea that was first realised years ago (even this idea came out of something so its not the start of something but also a continuation ...and it goes on!).</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"></span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">I actually need these works/ideas as anchors in my practise because they give it foundation, reference and authenticity because they grow with me over time, they re-appear in different guises but remain traceable and detectable if you are interested in uncovering them.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">In 2014 I now find myself drawing and specifically exploring line and curve. my current statement says '<span style="background: white; font-family: "Helvetica","sans-serif"; mso-ansi-language: EN-GB; mso-bidi-font-family: Helvetica; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">I am primarily concerned with drawing. A strong sense
of movement, physicality and contrast are key elements as are line and curve' I have arrived here without deliberately making this connection to an early significant piece of work and I love that. Creativity happens regardless of me trying or not trying, so long as I regularly work to allow it to happen. </span></span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><span style="background: white; font-family: "Helvetica","sans-serif"; mso-ansi-language: EN-GB; mso-bidi-font-family: Helvetica; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;"></span></span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><span style="background: white; font-family: "Helvetica","sans-serif"; mso-ansi-language: EN-GB; mso-bidi-font-family: Helvetica; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;"></span></span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><span style="background: white; font-family: "Helvetica","sans-serif"; mso-ansi-language: EN-GB; mso-bidi-font-family: Helvetica; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;"></span></span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><span style="background: white; font-family: "Helvetica","sans-serif"; mso-ansi-language: EN-GB; mso-bidi-font-family: Helvetica; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;"></span></span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><span style="background: white; font-family: "Helvetica","sans-serif"; mso-ansi-language: EN-GB; mso-bidi-font-family: Helvetica; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;"></span></span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><span style="background: white; font-family: "Helvetica","sans-serif"; mso-ansi-language: EN-GB; mso-bidi-font-family: Helvetica; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">That's the simple bit: living it is the complicated bit because I must keep working in a state of uncertainty and vulnerability. I don't know how a piece of work is going to turn out and even if or when I do I have no idea of what will come next unless I keep working, trusting and acting on ideas and instincts. This can make working towards an exhibition a risky and really quite stressful business - the tension of what it will look like and how it will curate as a body of work when that body is not yet complete. I have to 'lean' into the unknown and believe in myself. </span></span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><span style="background: white; font-family: "Helvetica","sans-serif"; mso-ansi-language: EN-GB; mso-bidi-font-family: Helvetica; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">This is where my anchors help give me firm roots deep into solid ground from there I can stretch and reach beyond myself with my self imposed limits. Reaching into wide open spaces. I would go as far as to say this is my faith. </span></span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><span style="background: white; font-family: "Helvetica","sans-serif"; mso-ansi-language: EN-GB; mso-bidi-font-family: Helvetica; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;"></span></span>Anonymoushttp://www.blogger.com/profile/17436208932074651988noreply@blogger.com0tag:blogger.com,1999:blog-3881065908466705405.post-41430473539523763322014-03-06T14:25:00.002-08:002014-03-06T14:51:20.553-08:00Finding lines<br><div class="separator" style="clear: both;"><br></div><br><div class="separator" style="clear: both;"><br></div><br><div class="separator" style="clear: both;"><br></div><br><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnO-hkYwtz5W363QiM3KsCOvxstQ-Cvv7jVIVlGEQiqpCAxGyC_MeA1N7dVaNO0eXgw6mqX5gGVZFtSY5lHp5zVgNt_vaWfDMgET5tv9M03WAfxKfZuMOBDpC7w1HEfcFgaF-N490ojDEu/s640/blogger-image--1307442.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnO-hkYwtz5W363QiM3KsCOvxstQ-Cvv7jVIVlGEQiqpCAxGyC_MeA1N7dVaNO0eXgw6mqX5gGVZFtSY5lHp5zVgNt_vaWfDMgET5tv9M03WAfxKfZuMOBDpC7w1HEfcFgaF-N490ojDEu/s640/blogger-image--1307442.jpg"></a></div><br><div class="separator" style="clear: both;"><br></div><br><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhf09KGUppZiDn5HmBQuOGe3MkwWGiFD7a680_3whkMG6QCQ1dOwGKQozgyab9obR456CJ1cIRJPzKxwbYTruA2kk4xqQ_T3Gj2IcVkLOOVbAh1gdY0-wkQaMA9Hl4t3LPLYLa4e5Pl2z9M/s640/blogger-image--2097987065.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhf09KGUppZiDn5HmBQuOGe3MkwWGiFD7a680_3whkMG6QCQ1dOwGKQozgyab9obR456CJ1cIRJPzKxwbYTruA2kk4xqQ_T3Gj2IcVkLOOVbAh1gdY0-wkQaMA9Hl4t3LPLYLa4e5Pl2z9M/s640/blogger-image--2097987065.jpg"></a></div><br><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEwxn0gmVOVhR479VlT9Obx-SOOJ5bFW5z_l7r8pWXFo4PvCFdBcpcfx8690H1S7hcTSrMpPVyWAlz2xyaOYO5rFVsZHelY2GzIzLM1YI0B-UADJAdFWI3eDKJgphljIbCf9eDLF7kIuoW/s640/blogger-image-669538138.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEwxn0gmVOVhR479VlT9Obx-SOOJ5bFW5z_l7r8pWXFo4PvCFdBcpcfx8690H1S7hcTSrMpPVyWAlz2xyaOYO5rFVsZHelY2GzIzLM1YI0B-UADJAdFWI3eDKJgphljIbCf9eDLF7kIuoW/s640/blogger-image-669538138.jpg"></a></div>Anonymoushttp://www.blogger.com/profile/17436208932074651988noreply@blogger.com0tag:blogger.com,1999:blog-3881065908466705405.post-32428232116073396612014-01-29T04:51:00.001-08:002014-01-29T04:52:43.283-08:00ash lines <div class="separator" style="clear: both; text-align: center;">
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<br />Anonymoushttp://www.blogger.com/profile/17436208932074651988noreply@blogger.com0tag:blogger.com,1999:blog-3881065908466705405.post-15469185217127953182014-01-29T04:38:00.001-08:002014-01-29T04:38:47.375-08:00stepping stones<span style="font-family: Arial, Helvetica, sans-serif;">Its hard to articulate why I make work; I do it instinctively - so there's something in the FEEL of doing it. I think while I am preparing the surface, in recent pieces that's painting board,with gesso (or even a step before that, mixing gesso from chalk powder). Then sanding it back looking and feeling for a lead into how the piece is going to progress all the time semi-concious of recent drawing trips and body memory of repeated drawings and movements, I develop a relationship with the surface. </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">This also feeds directly into performance/movement drawing - feeling a rhythm and being aware or knowing what will come next by letting the body move only in the moment. Some decisions are concious and these are fed by accumulated knowledg</span><span style="font-family: Arial, Helvetica, sans-serif; text-align: center;">e or preference.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">I leave a space for interpretation; I make a suggestion - I can't say exactly what the images are as they are an amalgamation of choices and influences throughout the process of building up marks. Influences such as music, mood, location, experience, temperature, a line that repeats, a curve that fits.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">So I paint then sand back. The surface and I are now familiar with each other - we have built a relationship. Sometimes the surface dictates a line and I follow its lead, or I make the first move and the surface responds. what follows is the struggle which concerns the image coming forth the desire to control and restrict it. This tension is what makes work sing. </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">To manage this dialogue I work on 2 or 3 pieces at a time, allowing unworkable elements to co-exist with more successful ones I like the sense of progression there is always something to move from and onto; like stepping stones I leap across one to the other. </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span>Anonymoushttp://www.blogger.com/profile/17436208932074651988noreply@blogger.com0tag:blogger.com,1999:blog-3881065908466705405.post-76865070937932767212014-01-09T12:04:00.001-08:002014-01-09T12:04:31.067-08:00Art after the drapes<div>Having spent the morning drawing drapes at the Beacon, Hastings I took advantage of the bright sunlight plus the fact i still had all my drawing gear with me and drove on up to the country park near Fairlight. It's interesting to note that in my drawings during the still life session of drapes there was an unmistakable presence of what can only be described as landscape. </div><div><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSfS3JjK2cquTKBPbE_hi-3MINqZNnD3NUYNvFo6gZwKbQYyG8YetxUmZ3mTKIs7_By0x9pNZFl8DPicCLU0-gW6AAXJLa5JMg7TjRxXqq-GgBUD1RhjmNhCX1VtjBZP4LfTAlCvsH9J0v/s640/blogger-image--2134793317.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSfS3JjK2cquTKBPbE_hi-3MINqZNnD3NUYNvFo6gZwKbQYyG8YetxUmZ3mTKIs7_By0x9pNZFl8DPicCLU0-gW6AAXJLa5JMg7TjRxXqq-GgBUD1RhjmNhCX1VtjBZP4LfTAlCvsH9J0v/s640/blogger-image--2134793317.jpg"></a></div><br><div><div class="separator" style="clear: both;"><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPRVUPk-wG1OsI59G_fDauz-beun7jMaOUXKuf7hdMzEiw-5yrWKlPWBF7iA0nT0Ali5T05ygED9IIi-rGDZvjuuTxeb78iUq-tMOn_48CTySEP4rs_LMiXFKyA3aRb4eeo_YJrQ9rS6uJ/s640/blogger-image--1471786268.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPRVUPk-wG1OsI59G_fDauz-beun7jMaOUXKuf7hdMzEiw-5yrWKlPWBF7iA0nT0Ali5T05ygED9IIi-rGDZvjuuTxeb78iUq-tMOn_48CTySEP4rs_LMiXFKyA3aRb4eeo_YJrQ9rS6uJ/s640/blogger-image--1471786268.jpg"></a></div><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhe1JzoBQ2R70TYcUKxIgV_vQcDScc2lT7S_SwBjyh-pQPU2lSJjBnXL7Tz2m3n8S3WcEL5ePN5RL7SPIEX2T_0xek0QLM7JdnCtfVrK7aqVCIb47IGqlL75s9jRcNj_dGPF-mYOEEY148q/s640/blogger-image--281435798.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhe1JzoBQ2R70TYcUKxIgV_vQcDScc2lT7S_SwBjyh-pQPU2lSJjBnXL7Tz2m3n8S3WcEL5ePN5RL7SPIEX2T_0xek0QLM7JdnCtfVrK7aqVCIb47IGqlL75s9jRcNj_dGPF-mYOEEY148q/s640/blogger-image--281435798.jpg"></a></div><div class="separator" style="clear: both;">This is actually very exciting as it demonstrates I that I now approach subjects in a way that is unquestionably my own language - I have talked about having a visual language of marks and lines before but sometimes the penny drops right down into the slot and I take a significant step forwards. Trying to decipher what drawing is about is sometimes ruined by over analysing but occasionally there are moments of clarity in what is for me an intuitive and almost unconscious process that I am trying to understand better.</div><div class="separator" style="clear: both;">Here are the rest of the sketches from Hastings looking over to Dungeness power station. A mixture of charcoal, compressed and home made, black pastel, graphite and chalk. </div><div class="separator" style="clear: both;"><br></div><div class="separator" style="clear: both;"><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisuO48lWgZ-osEKBG3fZ9P4W9U4REiQ58v3UYVaagPGMNgg2JWfdpjNe9w5CfNtUQjgNftMeDcUm2i0vpKllcdZBz-h5YxbagJ_v4GtXTSBD9KEsCwWCdCfCzY0ubp4IoyaPb8sZ9Qh4hG/s640/blogger-image-1914052600.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisuO48lWgZ-osEKBG3fZ9P4W9U4REiQ58v3UYVaagPGMNgg2JWfdpjNe9w5CfNtUQjgNftMeDcUm2i0vpKllcdZBz-h5YxbagJ_v4GtXTSBD9KEsCwWCdCfCzY0ubp4IoyaPb8sZ9Qh4hG/s640/blogger-image-1914052600.jpg"></a></div><div class="separator" style="clear: both;"><br></div><div class="separator" style="clear: both;"><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgs_q3YzD34_cCKXpnyJJ5yfbBdDavD5lKtJoHm1LeXkppWYI0VFNxBLay_rwmJCxcVymEkKZbg35GV1PepEjsVqqjkS2KphhXCKqysKVp4OYWwnVehtiaztdLFsLgglhWeJPvlVbp8Pl9b/s640/blogger-image-345341770.jpg" imageanchor="1" style="margin-left: 1em; 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